Liam Neeson as Darkman

quarta-feira, 21 de novembro de 2012

X-Men (BD+DVD)












































































Info About The Comics:

Related Info to the Books Content from http://marvel.wikia.com/ :

http://marvel.wikia.com/X-Men_Vol_1_94
http://marvel.wikia.com/X-Men_Vol_1_95
http://marvel.wikia.com/X-Men_Vol_1_98
http://marvel.wikia.com/X-Men_Vol_1_99
http://marvel.wikia.com/X-Men_Vol_1_100
http://marvel.wikia.com/X-Men_Vol_1_101

More: http://en.wikipedia.org/wiki/X-Men,_vol._1


Info About The Movie:

X-Men is a 2000 American superhero film based on the fictional Marvel Comics characters of the same name. Directed by Bryan Singer, the film stars an ensemble cast that includes Patrick Stewart, Hugh Jackman, Ian McKellen, Anna Paquin, Famke Janssen, Bruce Davison, James Marsden, Halle Berry, Rebecca Romijn, Ray Park and Tyler Mane. It introduces Wolverine and Rogue into the conflict between Professor Xavier's X-Men and the Brotherhood of Mutants, led by Magneto. Magneto intends to mutate world leaders at a United Nations summit with a machine he has built to bring about acceptance of mutantkind, but Xavier realizes this forced mutation will only result in their deaths.
Development for X-Men began as far back as 1989 with James Cameron and Carolco Pictures. The film rights went to 20th Century Fox in 1994. Scripts and film treatments were commissioned from Andrew Kevin Walker, John Logan, Joss Whedon and Michael Chabon. Singer signed to direct in 1996, with further rewrites by Ed Solomon, Singer, Tom DeSanto, Christopher McQuarrie and David Hayter. Start dates kept getting pushed back, while Fox decided to move X-Men's release date from December to July 2000. Filming took place from September 22, 1999 to March 3, 2000, primarily in Toronto. X-Men was released to positive reviews and was a financial success, spawning the X-Men film series and a reemergence of superhero films.

Plot

In 1944 German-occupied Poland, a 13-year-old boy is separated from his parents upon entry to a concentration camp. When he tries to get back in after the gates have been closed, he is restrained by four guards. The gates suddenly start to curl in towards the group, as though attracted by a magnetic force; the boy is then knocked unconscious by another guard.
In present day, a girl named Marie (Anna Paquin) is studying with her boyfriend at her house in Meridian, Mississippi. They hug together and they kiss, which knocks him out and he almost dies. She screams as her mother arrives. Terrified, she decides to leave her home.
In Congress, Senator Robert Kelly attempts to pass a "Mutant Registration Act", which would force mutants to publicly reveal their identities and abilities. Magneto begins his plans to level the playing field between mutants and humans. Meanwhile, Marie, now going by the name of Rogue, meets Logan, also known as Wolverine, at a bar in Canada. Rogue's mutation makes her temporarily assume the powers of any mutant she touches, while Wolverine possesses superhuman healing abilities, heightened senses, and metal claws that extend outwards from his knuckles. Suddenly, both of them are attacked by Sabretooth, a fellow mutant and an associate of Magneto. Cyclops and Storm arrive and save Wolverine and Rogue, and bring them to the X-Mansion, a facility run by Professor Charles Xavier, who leads a group of mutants who are trying to seek peace with the human race, educate young mutants in the responsible use of their powers, and stop Magneto from starting a war with humanity.
Abducted by Mystique and Toad, Senator Kelly is brought to Magneto, who tests a machine on Kelly that artificially induces mutation, though Kelly manages to escape imprisonment with his new abilities. After an accident causes Rogue to use her powers on Wolverine, she is convinced by Mystique (disguised as classmate Bobby Drake) that Xavier is angry with her and that she should leave the school. Xavier uses Cerebro to locate Rogue at a train station. Mystique infiltrates Cerebro and sabotages the machine. At the train station, Wolverine convinces Rogue to stay with Xavier, but a fight ensues when Magneto, Toad and Sabretooth arrive to take Rogue. Arriving at Xavier's school, Kelly dissolves into a puddle of water when his mutation becomes unstable.
The X-Men learn that Magneto was severely weakened in the test of the machine on Kelly, and Wolverine realizes he intends to use Rogue's ability to transfer his powers to her, so that she can power his machine in his place, possibly putting her life at risk. Xavier attempts to use Cerebro to locate Rogue, but falls into a coma, due to Mystique's earlier meddling with the device. Jean Grey fixes it and uses Cerebro to find Magneto's machine on Liberty Island, which Magneto intends to use on the world leaders, who are meeting for a summit on nearby Ellis Island. Just as the group arrives at the top of the statue, defeating Toad and incapacitating Mystique, Magneto and Sabretooth incapacitate the group and continue with their plans. Magneto transfers his powers to Rogue (which makes part of her hair go white), who is forced to use them to start the machine. Wolverine breaks free and initiates a fight with Sabretooth, but is thrown off the top of the statue.
Wolverine returns, and Cyclops, with Jean's help, blasts Sabretooth out of the statue. With Jean's telekinesis stabilizing him, Storm uses her abilities to send Wolverine to the top of Magneto's machine. With time running out, Wolverine attempts to stop the machine and save Rogue, but Magneto, now having regained some of his strength, halts Wolverine's claws. Cyclops manages to find a clean shot, wounding Magneto and allowing Wolverine to destroy the machine. Placing his hand to Rogue's face, as she is dying, Wolverine succeeds in transferring his regenerative abilities to her; Professor Xavier also recovers from his coma. The group learns, after seeing Mystique impersonating Senator Kelly on a news broadcast, that, despite being stabbed by Wolverine at Liberty Island, she is still alive.
In an attempt to help him learn more about his past, Xavier sends Wolverine to a military base near Alkali Lake. Xavier visits Magneto in his plastic prison cell, and the two play chess. Magneto warns his friend that he will continue his fight, to which Xavier promises that he and the X-Men will always be there to stop him.

Cast

  • Patrick Stewart as Professor Charles Xavier
    Founder of the X-Men and the Xavier School for Gifted Youngsters, Xavier hopes for peaceful coexistence between mutantkind and mankind and is regarded as an authority on genetic mutation. Although he is restricted to a wheelchair, he is a powerful mutant with vast telepathic abilities. Along with Magneto, he is the inventor of the Cerebro supercomputer, which further amplifies his abilities.
  • Hugh Jackman as Logan / Wolverine
    A tough, rugged, belligerent loner who makes a living in cage fights. He has lived for fifteen years without memory of who he is, apart from his dog tags marked "Wolverine" and an adamantium-encased skeleton (as well as adamantium claws). He has enhanced, animal-like senses and the ability to heal rapidly from numerous injuries, including the surgery that bonded the metal to his skeleton, which makes his age impossible to determine.
  • Ian McKellen as Erik Lehnsherr / Magneto
    A Holocaust survivor, he and Xavier were once allies, and they built Cerebro together. However, his belief that humans and mutants could never co-exist led to their separation. He has powerful magnetic abilities and a sophisticated knowledge in matters of genetic manipulation, which he uses to plan a mutation of the world leaders to allow mutant prosperity.
  • Famke Janssen as Dr. Jean Grey
    She is in a relationship with Cyclops and works as the doctor of the X-Mansion. She has the powers of telekinesis and telepathy.
  • James Marsden as Scott Summers / Cyclops
    He rescues Wolverine and Rogue from a truck explosion, taking them to safety to the X-Mansion, where they live. He is the second leader of the X-Men behind Xavier, and is the team's field leader when they are out on missions as well as an instructor at the Institute. He is in love with Jean Grey and has a relationship with her. He produces a strong red beam of force from his eyes, which is only held in check by a specialized ruby-quartz visor and sunglasses.
  • Halle Berry as Ororo Munroe / Storm
    She works as a teacher at the X-Mansion and has the ability to manipulate the weather. Ororo has become bitter with other people's hatred for mutants, and while comforting a dying Senator Kelly says that she sometimes hates humans.
  • Anna Paquin as Marie / Rogue
    A seventeen-year-old girl, forced to leave her family in Mississippi after putting her boyfriend in a coma by kissing him. If she touches anyone, she absorbs their strength, memories and abilities, potentially killing them. During her travels, she meets Wolverine, who becomes her closest friend. She begins to have a romance with Bobby Drake.
  • Tyler Mane as Sabretooth
    A ferocious, feline-like fighter who attacks Wolverine and Rogue in Canada before being stopped by Storm and Cyclops. He is a brutal and sadistic henchman of Magneto, and wields claws extending past each finger.
  • Bruce Davison as Senator Robert Kelly
    An anti-mutant politician that supports a Mutant Registration Act and wishes to ban mutant children from schools. He is kidnapped by Magneto in a test of his mutation machine, which causes his body to turn into a liquid-like substance.
  • Ray Park as Toad
    A very agile fighter with a menacing streak and a long, prehensile tongue, who can also spit a slimy substance onto others.
  • Rebecca Romijn-Stamos as Mystique
    Magneto's loyal second-in-command, her mutant ability to alter her shape and mimic any human being is almost secondary to her role as "the perfect soldier". She is an agile fighter, expert martial artist, and seems completely facile with respect to modern technology.
  • Shawn Ashmore as Bobby Drake / Iceman
    A student at Xavier's School for Gifted Youngsters who takes a liking to Rogue. He can change temperatures to subzero degrees and use the moisture in the air to create ice.
David Hayter, Stan Lee, and Tom DeSanto make cameo appearances. George Buza, the voice of Beast in X-Men: The Animated Series, appeared as the truck driver who drops Rogue off at the bar at which Wolverine works.[1] Other cameo appearances include Sumela Kay as Kitty Pryde, Katrina Florece as Jubilee and a young Colossus sketching a picture in one scene.[2] Gambit was considered for one of the students at the X-Mansion. Singer remembered, "We thought about Gambit as the young boy on the basketball field, but the feeling was that if he has the basketball and then releases it and it exploded, [then] people would be like 'What's wrong with those basketballs?'"[2] The success of X-Men (alongside Blade) started a reemergence for the comic book and superhero film genre.[3]

Production

Development

Throughout 1989 and 1990, Stan Lee and Chris Claremont were in discussions with James Cameron and Carolco Pictures for an X-Men film adaptation. The deal fell apart when Cameron went to work on Spider-Man, Carolco went bankrupt, and the film rights reverted to Marvel Studios.[5] In December 1992, Marvel discussed selling the property to Columbia Pictures to no avail.[6] Meanwhile, Avi Arad produced the animated X-Men TV series for Fox Kids. 20th Century Fox was impressed by the success of the TV show, and producer Lauren Shuler Donner purchased the film rights for them in 1994.[5][7]
Andrew Kevin Walker was hired to write the script in early 1994.[8] Walker's draft involved Professor Xavier recruiting Wolverine into the X-Men, which consists of Cyclops, Jean Grey, Iceman, Beast, and Angel. The Brotherhood of Mutants, which consisted of Magneto, Sabretooth, Toad, and the Blob, try to conquer New York City, while Henry Peter Gyrich and Bolivar Trask attack the X-Men with three 8 feet (2.4 m) tall Sentinels. The script focused on the rivalry between Wolverine and Cyclops, as well as the latter's self-doubt as a field leader. Part of the backstory invented for Magneto made him the cause of the Chernobyl disaster. The script also featured the X-Copter and the Danger Room. Walker turned in his second draft in June 1994.[9]
More scripts were written by John Logan, James Schamus,[1] and Joss Whedon. One of these scripts kept the idea of Magneto turning Manhattan into a "mutant homeland", while another hinged on a romance between Wolverine and Storm.[7] Whedon's draft heavily featured the Danger Room, and concluded with Jean Grey dressed as the Phoenix.[10] According to Entertainment Weekly, this screenplay was rejected because of its "quick-witted pop culture-referencing tone",[11] and the finished film contained only two dialogue exchanges that Whedon had contributed.[12][13] In 1996, Fox approached Michael Chabon to write a script. Chabon's six-page film treatment focused heavily on character development between Wolverine and Jubilee. It also included Professor X, Cyclops, Jean Grey, Nightcrawler, Beast, Iceman, and Storm. Under Chabon's plan, the villains would not have been introduced until the second film.[14]
Robert Rodriguez was approached to direct, but turned down the offer.[15] Bryan Singer was looking to do a science fiction film after the release of The Usual Suspects. Fox approached Singer for Alien Resurrection, but producer Tom DeSanto felt X-Men would be a better opportunity as he was impressed with how Singer directed an ensemble cast in The Usual Suspects.[5] Singer turned down the offer, believing that comic books were unintelligent literature. By July 1996, Singer had further turned down the film another two times,[7] and finally accepted after reading the comics and watching the animated series.[5] The themes of prejudice in the comic resonated with Singer.[1]
By December 1996, Singer was in the director's position, while Ed Solomon was hired to write the script in April 1997, and Singer went to film Apt Pupil. Fox then announced a Christmas 1998 release date.[16][17] In late 1997, the budget was projected at $60 million.[2] In late 1998, Singer and DeSanto sent a treatment to Fox, which they believed was "perfect" because it took "seriously" the themes and the comparisons between Xavier and Magneto and Martin Luther King and Malcolm X, unlike the other scripts.[1] They made Rogue an important character because Singer recognized that her mutation, which renders her unable to touch anyone, was the most symbolic of alienation. Singer merged attributes of Kitty Pryde and Jubilee into the film's depiction of Rogue. Magneto's plot to mutate the world leaders into accepting his people is reminiscent of how Constantine I's conversion to Christianity ended the persecution of early Christians in the Roman Empire; the analogy was emphasized in a deleted scene in which Storm teaches history. Senator Kelly's claim that he has a list of mutants living in the United States recalls Joseph McCarthy's similar claim regarding communists.[1]
Fox, who had projected the budget at $75 million, rejected the treatment which they estimated it would have cost $5 million more. Beast, Nightcrawler, Pyro, and the Danger Room had to be deleted before the studio greenlighted X-Men.[7][18] Fox head Thomas Rothman argued that this would enhance the story,[7] and Singer concurred that removing the Danger Room allowed him to focus on other scenes he preferred. Elements of Beast, particularly his medical expertise, were transferred to Jean Grey.[1] Singer and DeSanto brought Christopher McQuarrie from The Usual Suspects, and together did another rewrite.[19][20] David Hayter simultaneously rewrote the screenplay, receiving solo screenplay credit from the Writers Guild of America, while Singer and DeSanto were given story credit.[7] The WGA offered McQuarrie a credit, but he voluntarily took his name off when the final version was more in line with Hayter's script than his.[21]

Casting

Russell Crowe was Singer's first choice to play Wolverine. After Crowe turned the role down due to salary demands,[1] a number of actors offered their services for the role before Singer cast Dougray Scott. Part of Scott's contract included a sequel, but Scott backed out due to scheduling conflicts with Mission: Impossible II in early October 1999.[22][23][24] Hugh Jackman, who was an unknown actor at the time, was cast three weeks into filming.[25] Keanu Reeves also expressed interest in the role.[26]
Singer first suggested to Patrick Stewart that he play Xavier while X-Men executive producer Richard Donner was filming 1997's Conspiracy Theory.[27] James Caviezel was originally cast as Cyclops, but backed out due to scheduling conflicts with Frequency.[28] James Marsden was unfamiliar with his character, but soon became accustomed after reading various comic books. Marsden modeled his performance similar to a Boy Scout.[29] Eric Mabius expressed interest for the role of Cyclops. Angela Bassett was approached to portray Storm in late 1997,[2] as was Janet Jackson.[30] Anna Paquin dropped out of the lead role in Tart in favor of X-Men.[31] Terence Stamp was considered for Magneto[32] before Singer cast Ian McKellen, who acted in his previous film, Apt Pupil. McKellen responded to the gay allegory of the film, "the allegory of the mutants as outsiders, disenfranchised and alone and coming to all of that at puberty when their difference manifests," Singer explained. "Ian is activist and he really responded to the potential of that allegory."[27]

Filming

The original start date was mid-1999,[33] with the release date set for Christmas 2000, but Fox moved X-Men to June. Steven Spielberg had been scheduled to film Minority Report for release in June 2000, but he had chosen to film A.I. Artificial Intelligence, and Fox needed a film to fill the void.[34] This meant that Singer had to finish X-Men six months ahead of schedule, although filming had been pushed back.[35] The release date was then moved to July 14.[36]
Filming took place from September 22, 1999 to March 3, 2000 in Toronto and in Hamilton, Ontario.[37][38] Locations included Central Commerce Collegiate, Distillery District and Canadian Warplane Heritage Museum. Casa Loma, Roy Thomson Hall and Metro Hall were used for X-Mansion interiors, while Parkwood Estate (located in Oshawa, east of Toronto) was chosen for exteriors. This estate was also the mansion in Billy Madison and the Luthor Mansion in Smallville. For the train station scenes, Toronto Union Station and Hamilton GO Centre were set. Spencer Smith Park (in Burlington, Ontario) doubled for Liberty Island. A scale model was used for the Statue of Liberty.[39

Design and effects

The filmmakers decided not to replicate the X-Men costumes as seen in the comic book. Stan Lee and Chris Claremont supported this decision. Claremont joked, "you can do that on a drawing, but when you put it on people it's disturbing!"[5] Producer/co-writer Tom DeSanto had been supportive of using the blue and yellow color scheme of the comics,[1] but came to conclude that they would not work onscreen.[40] To acknowledge the fan complaints, Singer added Cyclops' line "What would you prefer, yellow spandex?" – when Wolverine complains about wearing their uniforms – during filming. Singer noted that durable black leather made more sense for the X-Men to wear as protective clothing,[1] and Shuler Donner added that the costumes helped them "blend into the night".[41]
Wolverine's claws required a full silicone cast of Hugh Jackman's arm, and 700 versions for Jackman and his stunt doubles.[42] It took nine hours to apply Rebecca Romijn's prosthetic makeup.[43] She could not drink wine, use skin creams, or fly the day before filming, because it could have caused her body chemistry to change slightly, causing the 110 prosthetics applied to her skin to fall off.[7] Between takes, the makeup department kept Romijn isolated in a windowless room to ensure secrecy. Romijn reflected, "I had almost no contact with the rest of the cast; it was like I was making a different movie from everyone else. It was hell."[7]
In the late 1990s, computer-generated imagery was becoming more commonly used. Singer visited the sets of Star Wars Episode I: The Phantom Menace and Titanic to understand practical and digital effects.[2] Filming had started without a special effects company hired. Digital Domain, Cinesite, Kleiser-Walczak Construction, Hammerhead Production, Matte World Digital, CORE and POP were all hired in December 1999.[44] Visual effects supervisor Mike Fink admitted to have been dissatisfied with his work on X-Men in 2003, despite nearly being nominated for an Academy Award.[45]
Digital Domain's technical director Sean C. Cunningham and lead compositor Claas Henke morphed Bruce Davison into a liquid figure for Kelly's mutation scene. Cunningham said, "There were many digital layers: water without refraction, water with murkiness, skin with and without highlights, skin with goo in it. When rendered together, it took 39 hours per frame."[46] They considered showing Kelly's internal organs during the transformation, "but that seemed too gruesome", according to Cunningham.[46]

Music

Singer approached John Williams to compose the film score, but Williams turned down the offer because of scheduling conflicts.[47] John Ottman was originally set as composer.[48] Michael Kamen was eventually hired.

Release

Promotion and gross

On June 1, 2000, Marvel published a comic book prequel to X-Men, entitled X-Men: Beginnings, revealing the backstories of Magneto, Rogue and Wolverine.[49] There was also a comic book adaptation based on the film.[50] Marvel Studios was depending on X-Men's success to ignite other franchise properties (Spider-Man, Fantastic Four, Hulk and Daredevil).[51] X-Men was released in 3,025 theaters in North America on July 14, 2000, earning $54,471,475 in its opening weekend. The film eventually grossed $157,299,717 and made $139,039,810 in other countries, coming to a worldwide total of $296,339,527.[52] X-Men was the ninth highest-grossing film of 2000.[53] The film made over $50 million in home video sales.[2]

Reception

The film received positive reviews. Based on 153 reviews collected by Rotten Tomatoes, 82% were positive.[54] 59% of 32 selected popular reviewers gave it positive reviews.[55] By comparison Metacritic collected an average score of 64/100 from 33 reviews.[56]
Kenneth Turan found "so much is happening you feel the immediate need of a sequel just as a reward for absorbing it all. While X-Men doesn't take your breath away wire-to-wire the way The Matrix did, it's an accomplished piece of work with considerable pulp watchability to it."[57] ReelReviews.net's James Berardinelli, an X-Men comic book fan, believed, "the film is effectively paced with a good balance of exposition, character development, and special effects-enhanced action. Neither the plot nor the character relationships are difficult to follow, and the movie avoids the trap of spending too much time explaining things that don't need to be explained. X-Men fandom is likely to be divided over whether the picture is a success or a failure".[58] Desson Thomson of The Washington Post commented, "[T]he movie's enjoyable on the surface, but I suspect many people, even die-hards, will be less enthusiastic about what lies, or doesn't, underneath".[59]
Roger Ebert of the Chicago Sun-Times said he "started out liking this movie, while waiting for something really interesting to happen. When nothing did, I still didn't dislike it; I assume the X-Men will further develop their personalities if there is a sequel, and maybe find time to get involved in a story. No doubt fans of the comics will understand subtle allusions and fine points of behavior; they should linger in the lobby after each screening to answer questions."[60] He also gave it a "thumbs down" on Ebert & Roeper.[61] Peter Travers of Rolling Stone noted, "Since it's Wolverine's movie, any X-Men or Women who don't hinge directly on his story get short shrift. As Storm, Halle Berry can do neat tricks with weather, but her role is gone with the wind. It sucks that Stewart and McKellen, two superb actors, are underused."[62]

Awards

The film was nominated the Hugo Award for Best Dramatic Presentation, but lost to Crouching Tiger, Hidden Dragon.[63] X-Men was successful at the Saturn Awards. It won categories for Best Science Fiction Film, direction (Singer), writing (David Hayter), costume design, Best Actor (Hugh Jackman) and Supporting Actress (Rebecca Romijn). Nominations included Performance by a Younger Actor (Anna Paquin), Supporting Actor (Patrick Stewart), Special Effects and Make-up.[64] Empire readers voted Singer Best Director.[1]


Extracts Taken From: http://en.wikipedia.org/wiki/X-Men_(film)

More Info: http://www.imdb.com/title/tt0120903/






































quarta-feira, 31 de outubro de 2012

X-Men: Filhos do Átomo (X-Men: Children of the Atom #1 - #6 & X-Men #1, #38, #43)











































































Short Info About X-Men: Children of the Atom:

X-Men: Children of the Atom is a six-issue comic book limited series released in 1999, retelling the origins of the X-Men.
The first issue is about the teenagerhood of Cyclops, Jean Grey, Iceman, Beast and Angel, while the mutants have just appeared in the news. Professor X is pretending to be a school coordinator, in order to help the young mutants.

Extract Taken From: http://en.wikipedia.org/wiki/X-Men:_Children_of_the_Atom_(comics)

More Info Related: http://marvel.com/comic_books/series/2105/x-men_children_of_the_atom_1999 - http://www.comicvine.com/x-men-children-of-the-atom/49-22607/ - http://loja.publico.pt/products.php?product=Colec%C3%A7%C3%A3o-HER%C3%93IS-MARVEL%252dX%252dMen%3A-Filhos-do-%C3%81tomo-vol.2 - http://www.amazon.com/X-Men-Children-Atom-Joe-Casey/dp/078510805X



X-Men: Graduação (X-Men #56 - #66)











































































Related Info to the Books Content from http://marvel.wikia.com/ :

http://marvel.wikia.com/X-Men_Vol_1_56
http://marvel.wikia.com/X-Men_Vol_1_57
http://marvel.wikia.com/X-Men_Vol_1_58
http://marvel.wikia.com/X-Men_Vol_1_59
http://marvel.wikia.com/X-Men_Vol_1_60
http://marvel.wikia.com/X-Men_Vol_1_61
http://marvel.wikia.com/X-Men_Vol_1_62
http://marvel.wikia.com/X-Men_Vol_1_63
http://marvel.wikia.com/X-Men_Vol_1_64
http://marvel.wikia.com/X-Men_Vol_1_65
http://marvel.wikia.com/X-Men_Vol_1_66

More Info: http://loja.publico.pt/products.php?product=Colec%C3%A7%C3%A3o-HER%C3%93IS-MARVEL%252dX%252dMen%3A-Gradua%C3%A7%C3%A3o-vol.11

X-Men: A Saga da Fénix Negra (The Dark Phoenix Saga)











































































Info About  The Dark Phoenix Saga:

"The Dark Phoenix Saga" is an extended X-Men storyline in the fictional Marvel Comics Universe, focusing on Jean Grey and the Phoenix Force, and ending in Grey's apparent death. It was written by Chris Claremont with art by Dave Cockrum and John Byrne.
It is sometimes divided into two parts, with the "Phoenix Saga" (The X-Men #101-108, 1976–1977) referring to Grey's seeming assumption of the Phoenix power and the repair of the M'Kraan Crystal, and the "Dark Phoenix Saga" (The X-Men #129-138, 1980) referring to her corruption and fall. It is one of the most well-known and heavily referenced stories in mainstream American superhero comics, and widely considered a classic.[1]
It was adapted for the X-Men animated series, and alluded to in the movie X2: X-Men United. A third movie, X-Men: The Last Stand, released in 2006, contains some elements from the saga. Wolverine and the X-Men adapted the Dark Phoenix Saga at the end of its first season, though it changed many elements of the story.

Plot summary

In comic books, readers know the Phoenix as a psionic cosmic entity linked to Jean Grey. This was not how the character was written in the original story — there, the Phoenix actually was Jean, at the very peak of her power. Returning from a mission in space, the story told of Jean being exposed to the deadly radiation of a solar flare, and briefly attaining her ultimate potential as a telepath and telekinetic. In this moment, Jean became a being of pure thought, and then reformed herself upon return to Earth with the new costume, identity and power of "Phoenix".[2] It was with this incredible power that Jean repaired the fractured M'Kraan Crystal, but voluntarily restrained her powers afterward in order to keep them under control.[3]
Her vast potential made her a target for the illusionist Mastermind, who was attempting to prove himself in order to join the prestigious Inner Circle of the Hellfire Club. With the help of a mind-tap device created by the White Queen, Emma Frost, Mastermind (using the alias Jason Wyngarde) was able to project his illusions directly into Phoenix's mind. These illusions caused her to believe that she was reliving the memories of her ancestor, Lady Grey, who in Mastermind's illusions, was Wyngarde's lover. Phoenix was subverted into joining the Hellfire Club as their Black Queen, a decadent role that would allow her to relish the extremes of human emotion and began to break down the barriers that she had erected.[4]
When the X-Men came to her rescue, they were captured by the Inner Circle, and Jean's true love Cyclops faced Mastermind in a psychic duel.[5] When Mastermind killed Cyclops' psychic image, it served to break his hold over Jean's psyche and shattered the final barriers on her power. Experiencing this power in its totality, along with the decadent role she had just played, overwhelmed Jean entirely, and she renamed herself the "Dark Phoenix".[6] The X-Men battled her, but were easily defeated by her power before she departed for the heavens. Intent on satiating her hunger, Dark Phoenix created a wormhole and transported herself to a distant galaxy. Without a thought of the consequences, she dove into the heart of the D'Bari star and devoured its energy, causing the star to go nova — killing billions of innocent aliens in the process. Dark Phoenix was then attacked by a Shi'ar vessel to prevent her from destroying other stars. Dark Phoenix easily defeated her foes, but not before they were able to alert the Shi'ar Empress Lilandra.[7] Gathering a host of intergalactic associates, including the Kree and Skrull empires, the council concluded that Dark Phoenix was an even more serious threat than the planet-consuming Galactus and must be destroyed because she had the power to destroy the entire Universe.
On Earth, the X-Men were greeted by Avengers member (and former X-Man) Beast. He had designed a device which would neutralize Phoenix's powers long enough for them to defeat her. Dark Phoenix returned to Earth, to her family's home, and was subsequently attacked by the X-Men. During a vicious psionic battle with her mentor, Charles Xavier, he was able to rebuild the psychic "circuit-breakers" in her mind which reduced Dark Phoenix's powers to more reasonable levels and allowed Jean's personality to reassert control, curtailing the destructive impulses of Dark Phoenix.[8]

The Shi'ar then abducted the X-Men, told them of Dark Phoenix's casual genocide, and indicated that she must be put to death because of it. Xavier, who was romantically involved with the Shi'ar Empress, challenged Lilandra to Arin'n Haelar, a Shi'ar duel of honor that cannot be refused. After conferring with her allies, who insisted the contest be staged to ensure a guaranteed victory on their part, Lilandra ceded to Xavier's demand.
The next day, the X-Men and the Shi'ar Imperial Guard were teleported to the Blue Area of the Moon where they would do battle, with the victors deciding the fate of Phoenix. The Imperial Guard, led by Gladiator, was able to defeat all of the X-Men, leaving Cyclops and Phoenix alone to make a final stand against them. When a stray bolt of energy hit Cyclops, Jean Grey's panic overrode the psychic circuit-breakers Xavier had placed within her mind and the full might of Phoenix's powers was once more unleashed. At this point, Lilandra abandoned the delicate approach and ordered Plan Omega, which would consist of destroying the whole solar system in hopes of eliminating Dark Phoenix in the process.
With events spiraling out of control, Xavier ordered the X-Men to subdue Jean to preempt Lilandra's emergency measure. The team battled her until she regained her senses. Running to a back alley on the moon, Jean, struggling to keep control, activated a Kree weapon and disintegrated herself after an emotional good-bye to Cyclops.[9] He later deduced that Jean had planned her sacrifice from the moment they had landed on the moon.
This pivotal story ends with Uatu the Watcher commenting that "Jean Grey could have lived to become a god. But it was more important to her that she die...a human."[9]

Editorial controversy

The ending of the story was a matter of intense controversy with the editorial staff. Jim Shooter's recollections on his blog relate that the original intent of the Dark Phoenix storyline was to introduce Dark Phoenix as a cosmic adversary for the X-Men who could serve as a secondary archnemesis after their primary foe, Magneto. This was what had been discussed originally amongst the creative team and Shooter, and this was the story development that had been approved. When Uncanny X-Men issues 136 and 137 were in the final artwork stages, Shooter happened to look at the proofs for the issues and noticed that the story included the destruction of an inhabited solar system, with an explicit mention of billions of lives lost, and that it ended with Jean being permanently depowered by the Shi'ar and released into the custody of the X-Men. Shooter disagreed with this development both from a storytelling standpoint as well as, secondarily, a moral standpoint, likening the ending to "taking the German army away from Hitler and letting him go back to governing Germany," and doubting highly that Storm and the other X-Men could remain on anything approaching friendly relations with a being who had committed genocide. [10]
Shooter, during a conversation with Claremont, suggested a scenario where Jean would be permanently imprisoned as a compromise, and Claremont responded that such a scenario was unfeasable since in his opinon, the X-Men would want to continually try to rescue Jean from imprisonment. During a heated argument between Shooter and Claremont, Claremont reportedly then suggested that Jean either be killed or die by her own hand, and that the death be permanent. Although Shooter claims that the suggestion was a bluff by Claremont, playing on the unwritten rule that main characters were not to be killed permanently, he accepted the idea. Ultimately, it was decided by Byrne and Claremont to have Jean commit suicide after her Dark Phoenix persona resurfaces at the climax of the fight against the Imperial Guard.[10] The original ending ultimately saw print in 1983 in a special edition reprint of Uncanny X-Men #137 called Phoenix: The Untold Story. Besides reprinting Byrne and Claremont's original version of Uncanny X-Men #137, it featured a transcript of a round-table discussion between (among others) Claremont, Byrne, and Shooter, discussing the story behind the original ending and why it was changed. The interview is also important for an exchange which shows how early Byrne had hatched plans to resurrect Jean.

Jean Grey and Phoenix as separate entities

Shortly before the publication of Uncanny X-Men #137, future freelance writer Kurt Busiek, then still a college student, heard about the upcoming events through the fan grapevine, as did fellow future comics pros Carol Kalish (who would go on to head up Marvel's Direct Sales Department for years) and Richard Howell (artist of the Vision and The Scarlet Witch 12-issue limited series, among others). The three of them also heard that Marvel editor-in-chief Jim Shooter had declared that Jean Grey could not be revived unless it was done in such a way as to render her guiltless of Dark Phoenix's crimes. Taking this as a creative challenge, all three then-fans decided to come up with their own resurrection scenario. Busiek's involved the discovery that Jean Grey was still on the bottom of Jamaica Bay in suspended animation following the original shuttle crash and that the Phoenix entity had used her body and mind as a lens, creating an immensely powerful duplicate of Jean, but one which grew more corrupted and distorted the longer it remained separate from the true Jean.[11]
In 1982, Dark Phoenix resurfaced in the DC Comics/Marvel Comics intercompany crossover one-shot The Uncanny X-Men and The New Teen Titans, written by regular X-Men writer Chris Claremont. The story (which is not part of DC or Marvel canon) has the cosmic villain Darkseid resurrect Jean Grey in her Dark Phoenix persona as part of his quest to discover the secret of the Anti-Life Equation. In the end, Dark Phoenix is betrayed by Darkseid and sacrifices her life yet again to stop Darkseid.
In 1983, X-Men writer Claremont introduced character Madelyne Pryor into the X-Men.[12] Madelyne was a commercial airline pilot who survived with no injuries from an airliner crash that happened on the same day Jean Grey died, and who was the mirror image of Jean Grey. Madelyne met Cyclops when he went to visit his grandparents in Alaska and found himself drawn to Madelyne. The villainous Mastermind, seeking revenge against the X-Men for being driven mad by Dark Phoenix, manipulated the team into thinking Madelyne was Dark Phoenix reincarnated. Ultimately, Mastermind's scheme was defeated and Cyclops and Madelyne were married and soon had a son, Nathan Christopher Summers.
Also in 1983, shortly after beginning a freelance writing career, Kurt Busiek attended a comics convention in Ithaca, New York, staying at the home of Marvel writer Roger Stern. In conversation, both writers' longtime interest in the X-Men came up, and Stern expressed regret that there was no way to bring Jean back, not while satisfying Shooter's edict. Busiek told Stern his idea, not expecting it to amount to more than idle conversation. Later, Stern told the idea to John Byrne, then writer/artist of Fantastic Four.[11][13]
In 1985, Jim Shooter greenlit a new series that would reunite the original X-Men into a new team called X-Factor, to be written by longtime freelancer Bob Layton. Hearing of this, Byrne called Layton and suggested Busiek's idea as a means of raising Jean Grey from the dead while satisfying Shooter's demands for total absolution for Jean.
A three-part crossover was planned to launch X-Factor, involving the Avengers, the Fantastic Four, and the debut issue of X-Factor, thus involving Avengers writer Stern, Fantastic Four writer/artist Byrne and X-Factor writer Layton. Busiek, by that time, was working at Marvel as a freelance assistant editor on Marvel Age Magazine. He was paid and credited for the idea,[14] and edited a series of interviews for Marvel Age promoting the new series. Ironically, everything in the interviews pertaining to Jean's resurrection was marked out with black tape to create an air of mystery about the revelations that the crossover would involve, and Busiek thus found himself taping over the names of the writers giving him credit for the idea.

In other media

Television

  • The Dark Phoenix Saga, along with the Phoenix Saga, was adapted in X-Men. During the Phoenix Saga, the X-Men had to help the Shi'ar fight Lilandra's deranged brother, D'Ken. Jean Grey's powers fully manifest during the Dark Phoenix Saga, turning her against her comrades. The X-Men, with the help of the Shi'ar, defeats the Dark Phoenix.
  • The Dark Phoenix Saga was foreshadowed in X-Men: Evolution. In "Power Surge", Jean loses controls of her powers, making her dangerous around others. At the end of the episode, Rogue absorbed some of Jean's mind, defeating her. At the end of the series, Professor Xavier saw Jean transforming into the Dark Phoenix when he was under Apocalypse's control. The Dark Phoenix Saga was going to be adapted in Season Five. Unfortunately, the saga did not appear after the series was cancelled in 2003.
  • The Dark Phoenix Saga was adapted at the season finale of Wolverine and the X-Men. In the three-part episode "Foresight", the Hellfire Club kidnaps Jean after the X-Men saved her from the Marauders. Wolverine finds out Emma Frost was in league with the Hellfire Club and locks her in a containment unit. Cyclops released Frost, enraging Wolverine. While the X-Men went to Genosha to fight the Sentinels, Frost tells Jean about the Phoenix Force. Later, Frost tells Cyclops of Jean's whereabouts when the X-Jet was crashed by the Sentinels. The two went to Jean's location, where the Hellfire Club betrays Frost and imprisons them. Selene reveals to Cyclops that Frost was the one who triggered Jean's powers when the Xavier Institute was destroyed. After the Hellfire Club was defeated at the hands of Jean, she and Scott left Frost after finding out Frost was trying to unleash the Phoenix Force within her. After saving the X-Men from the Mutant Response Division, Wolverine found Frost at the Club's hideout. Reluctantly, he releases her, and the two went to find Scott and Jean. After Magneto and the Sentinels were defeated, Jean unleashes the Phoenix Force. Frost absorbs the Phoenix Force into her body, seemingly killing her in the process.

Film

  • The Dark Phoenix Saga was alluded at the end of X2. After Jean supposedly dies while protecting her teammates from drowning, a sign that bears a striking resemblance to the Phoenix Force is seen at the final scene.
  • Despite being an original story and not a strict adaptation, the plot of the film X-Men: The Last Stand contains elements of the Dark Phoenix Saga. In this film, the Phoenix is adapted as a repressed dual personality of Jean's psychological status which was awakened when Jean cocooned herself in telekinetic energy to survive the collapse of Alkaline Lake. Throughout the film, the Phoenix acts irresponsibly and has no control over her decision-making, including scenes where Jean succumbs to exposing her sexual desires for Wolverine, siding with Magneto and murdering Professor X. The Phoenix is destroyed when Jean is euthanized-by-stabbing by Wolverine.